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Raw image format
A raw image file (sometimes written RAW image file) contains minimally processed data from the image sensor of a digital camera or image scanner. Raw files are so named because they are not yet processed and ready to be used with a bitmap graphics editor or printed. Normally, the image will be processed by a raw converter in a wide-gamut internal colorspace where precise adjustments can be made before conversion to an RGB file format such as TIFF or JPEG for storage, printing, or further manipulation.
Raw image files are sometimes called digital negatives, as they fulfill the same role as film negatives in traditional chemical photography: that is, the negative is not directly usable as an image, but has all of the information needed to create an image. In addition to raw files from cameras, raw data from film scanners can also be referred to as digital negatives.
Like a photographic negative, a digital negative may have a wider dynamic range or color gamut than the eventual final image format. The selection of the final choice of image rendering is part of the process of white balancing and color grading.
A raw image file (sometimes written RAW image file) contains minimally processed data from the image sensor of a digital camera or image scanner. Raw files are so named because they are not yet processed and ready to be used with a bitmap graphics editor or printed. Normally, the image will be processed by a raw converter in a wide-gamut internal colorspace where precise adjustments can be made before conversion to an RGB file format such as TIFF or JPEG for storage, printing, or further manipulation.
Raw image files are sometimes called digital negatives, as they fulfill the same role as film negatives in traditional chemical photography: that is, the negative is not directly usable as an image, but has all of the information needed to create an image. In addition to raw files from cameras, raw data from film scanners can also be referred to as digital negatives.
Like a photographic negative, a digital negative may have a wider dynamic range or color gamut than the eventual final image format. The selection of the final choice of image rendering is part of the process of white balancing and color grading.
Guide created: 28/11/07 (updated 31/05/08)
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